Fabio Carvalho search the oldest heritage of regional rhythms of the state of Espirito Santo - those with African roots music - and puts the beat of congo and ticumbi to talk to the beats of electronic music.
The result is a precious and dance dialogue of traditional folk art with contemporary, very current fruit of cultural anthropophagy that marked the birth of Brazilian modernism.
In addition to inspiration and devotion objects, folk traditions also turned up in the musician's craft.
lyrics
Sereia
Tem areia, tem areia
Tem areia , e não vou lá
No lugar que tem areia
Chora neném!
Meu amor quer me matar
Deixa chorar!
Chora neném
Oh, neném de mim tem dó
Chora neném
Oh, neném de mim tem dó
Eu não posso me esquecer
Chora neném
No canto do Rouxinol
Deixa chorar
Ôno fundo do Mar
Tem areia, tem areia, tem areia....
Ôno fundo do Mar, tem areia!
E quem manda no mar, é Sereia!
Ôno fundo do mar , tem areia
E quem mora no mar , é Sereia!
Fabio Carvalho search the oldest heritage of regional rhythms of the state of Espirito Santo - those with African roots
music and puts the beat of congo and ticumbi to talk to the beats of electronic music. The result is a precious and dance dialogue of traditional folk art with contemporary, very current fruit of cultural anthropophagy that marked the birth of Brazilian modernism....more
Bagunço explores three distinct traditional Brazilian rhythms: Maracatu, Galope and Frevo. The resulting mixture is then wrapped up in a Tropicalist Festive Jazz. Fabio Carvalho
André brings the fuzz of his guitar also in afrobeat, coco, afrofunk and Brazil - Africa fusions.
The partnership with the producer Victor Rice is brutal!!! Fabio Carvalho