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about

"Preto Velho” (old black Man), in which the musician reveres Candomblé and rhythms like samba, the caxambu, the ciranda and the aforementioned congo and ticumbi .

The distinguished participation, with mining drum tradition of Raquel Coutinho and hypnotic groove of the celebrated percussionist Marcos Suzano, which alternates between the tambourine, the tablas, the karkabul and other instruments.

lyrics

Preto Velho
Douglas Bonella

Part. Especial - Marcos Suzano e Raquel Coutinho

Preto aprendeu
Fazer casa de barro e madeira
Moendo quitungo
Farinha de macaxeira
Na favela urbana
Novo quilombo éaqui
No alto morro
Corre sangue de Zumbi
Preto, nego, preto , preto velho
Candomblé, Roda de Samba
Caxambu, Ticumbí, Congo e Ciranda

Preto, nego, preto, preto velho
Candomblé, Roda de Bamba
Caxambu, Ticumbí, Jongo e Ciranda
Conheceu as planta
E criou a medicina
Se embrenhou no mato
Foi para a Serra da Barriga
Preto suburbano
Não se deixa enganar
Você é guerreiro de Aruanda
E seu Deus, Oxalá!
Preto, nego, preto , preto velho
Candomblé, Roda de Samba
Caxambu, Ticumbí, Congo e Ciranda
Preto, nego, preto, preto velho
Candomblé,Roda de Bamba
Caxambu, Ticumbí, Jongo e Ciranda
Emprenhouem Luanda
Para cima do Brasil
Capoeira de Angola mano
Eu respeito éo Tiziu
No Porto e no Pelô
Incorporoumalícia
Para dar tapa no governo
E rasteira na polícia.

credits

from QUINTAL - Afro Congo Beat, released October 14, 2020
Preto Velho
Douglas Bonella

Part. Especial - Marcos Suzano e Raquel Coutinho

Fabio Carvalho - Voz, Casaca e Tambor de Congo
Léo Caetano - Violão de Nylon, Rhodes, Clavinet
Marcel Dadalto - DrumMachine, Baixo, Guitarras, Cowbell, Programação, Samples
Marcos Suzano - Pandeiro, Tablas,Karkabul, Agogô,Shaker, Triângulo
Raquel Coutinho - Tambor Mineiro, Patangome
Janderson Valentim e Viviane Barreto - Tambor de Congo
Mestre Vitalino, Indiara Couto e Raay Abranches - Casaca

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Fabio Carvalho image

Fabio Carvalho Vitoria, Brazil

Fabio Carvalho search the oldest heritage of regional rhythms of the state of Espirito Santo - those with African roots music and puts the beat of congo and ticumbi to talk to the beats of electronic music. The result is a precious and dance dialogue of traditional folk art with contemporary, very current fruit of cultural anthropophagy that marked the birth of Brazilian modernism. ... more

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